Excursions
The longest period of travel I've ever had started with a final trip to Auckland for work. So some final photographs are in order. Next time I go to New Zealand, I hope for the south island, but if back north, at least the bay of islands or thereabouts. Auckland's nice, but I've seen enough of it for a while.
Albatross populate the harbour extensively. They're quite loud, too, some mornings, but are something to see, soaring along. Not so much just standing there, though.

I do like their tower very much.

Their harbour is almost more open ocean than anything else, but watching the fog roll in and lift by early morning is lovely.

On the final weekend, there was a special exhibition on of Japanese art, for which a demonstration of Japanese drumming was performed.

The hotel we stayed in had a distinctly Overlook-ish aspect. I kept expecting to see creepy twins at the end every morning.

After a brief stopover back home for Easter weekend, I flew to Paris to meet the girlfriend, who was traveling there for work, but had also built in some tourism, as you do. Paris is a very distinctive city, in large part due to Napoleon III, who tore down vast sections of it, rebuilding according to a particular style, and also with an aim to have large boulevards, not easily barricaded, so as to prevent having another, successful revolution. These buildings along the Rue de Rivoli, as seen from the Tuillieres Gardens, are a good example of the style.

Not that Paris doesn't have its colourful aspects, such as a bit of graffiti here and there.

Or their museum of modern art, the Pompidou Centre.

Something newer in that regard is the pedestrian bridge, the Pont des Arts, which the citizens and others have determined should also serve as a monument to relationships. Couples attach a padlock where they can. No word on whether they keep the keys, just in case, or not.

Besides gilding everything they can, a common motif in Paris are their stone lions. They're pretty good.
This one's actually Greek, in the Louvre, but I liked the expression on his face.

This one's in Versailles. He looks appalled at something, but there's no indication what it may be.

This last one is on a fountain, but he's a good example of snarl.

The view from the top of the Arc de Triomph is hard to beat.

That other arch at the far end, the squared one, was built for the 200th anniversary of the Revolution, and is actually outside Paris itself, where the buildings are limited in height. Outside the city limits, they can go as high as they want.
Didn't get to Montmatre; maybe next time.

One thing we did get to was the Louvre, of course, along with thousands of others.

My favourite painting was the Wedding Feast at Cana.

We also took in Notre Dame.

The gargoyles are a lot of fun.

For a day trip, we took a minibus to Versailles and Claude Monet's gardens in Giverney. Versailles was the proof that there is just no getting away from crowds when touring Paris.

But the grounds are extensive and extensively sculpted. Pruning must be a university degree course.

The gardens at Monet's house were wonderful. The set-up made you easily see what the Impressionists were on about. Every bend and aspect showed you different things the light was doing, and you could imagine what the day would do to change each view as the light changed, day to day, season to season.

It may have been one of the best parts of the trip.
Once B.'s work week kicked in, I traveled up to York, where Mom & Dad had the intention of seeing the minster.

It's a fair bit more time in York than I think is entirely called for, and the weather generally was bad for walking around ye olde England, although maybe giving a feel for the way the city would have often felt back when it was still new. I'm amazed that the city wall was retained for all these centuries, but someone had some serious foresight.

One element of the trip that was particularly welcome is that Mom & Dad know someone there, someone who is engaged in studying and restoring the stained glass. So we got quite a lot of information about the process. And, of course, York's minster was spared much of the ravages of Cromwell's iconoclasts, so there's quite a lot of stained glass to look at and learn about.

My favourite, however, was a small panel, playfully inserted along the bottom of some other work, involving saints and such, but depicting a monkey, and telling a little story, from right to left, of the monkey being ill, being attended by a monkey doctor, and then having a monkey funeral procession, when that didn't work out so well.

It was good to see Paris again, after 24 years, and York, after 30, but it's nicer to be home. No more travel beyond the Blue Mountains or Central Coast, I think, for a good long while.